大理大学学报 ›› 2026, Vol. 11 ›› Issue (3): 62-.DOI: 10. 3969 / j. issn. 2096-2266. 2026. 03. 009

• 文化-艺术 • 上一篇    下一篇

中国传统美学中“空”的哲学概念与现代设计思维

王 丽
  

  1. 1. 大理大学艺术学院;
    2. 中央美术学院设计学院
  • 出版日期:2026-03-15 发布日期:2026-04-01
  • 作者简介:王丽,讲师,博士研究生,主要从事空间展示设计、空间美学、文化遗产相关展示设计研究。

The Philosophical Concept of "Emptiness" (Kong) in Traditional Chinese Aesthetics and Its Relevance to
Modern Design Thinking

Wang Li
  

  1. 1. School of Art, Dali University; 2. School of Design, Central Academy of Fine Arts
  • Online:2026-03-15 Published:2026-04-01

摘要:

中国传统美学蕴含着深厚的哲学智慧与独特的艺术创造力,但随着现代化进程的推进,它在面对全球化文化冲击与技
术发展挑战时,逐渐展现出适应和创新的需求。聚焦中国传统美学中的“空”字概念,深入分析其在哲学和艺术中的多重内涵,
阐述了“空即有”和“有即空”这一辩证思想的哲学基础及其美学意义,探讨这一概念在现代设计思维中的应用,特别是“空”的
悟性思维在设计创作中的重要作用,包括瞬间顿悟、创新思维以及否定之否定的设计策略。通过理论与实践相结合,揭示了传
统文化中“空”的美学理念如何在当代设计中赋能,推动设计理念的创新与文化传承。

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Abstract:

Chinese traditional aesthetics embodies profound philosophical wisdom and distinctive artistic creativity. However, with
the advancement of modernization, it faces increasing challenges brought by globalization and technological development, revealing an
urgent need for adaptation and innovation. This paper focuses on the concept of "Emptiness" (Kong) in Chinese traditional aesthetics,
analyzing its multiple meanings in both philosophy and art. It illustrates the dialectical idea of "emptiness is form, and form is
emptiness" (kong ji you, you ji kong)
, exploring its philosophical foundation and aesthetic implications. Furthermore, the paper
explores the application of this concept in modern design thinking, with particular emphasis on the crucial role of intuitive thinking
derived from "Emptiness" in design creation, including sudden enlightenment, innovative thinking and the design strategy of negation
of negation. By integrating theory with practice, the study reveals how the aesthetic philosophy of "Emptiness" in traditional Chinese
culture empowers contemporary design, promoting the innovation of design concepts and the inheritance of culture.

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